Vizio Televisions

Does anyone know anything about vizio televisions?
Not much. That’s the problem with junk brands… not many people know much about them. That’s why you should stick with recognized name brands.
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VideoSecu Flush TV Wall Mount for Plasma Flat Panel Screen Monitor TV Loading Capacity up to 80 lbs VESA 50/75/100/200×100/200 M19 $15.96 Flush Wall Mount for Flat Panel Screen LCD Monitor TV. Slim flat LCD mounts are incredibly easy to install, and feature a low-profile, sliding plate design that places the display very close to the wall for a clean look, while also providing a unique combination of simplicity and security…. |
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AC Power Cord Cable 10FT for VIZIO TV with Life Time Warranty $1.60 AC Power Cord Cable… |
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Vizio XVT3D554SV 55 Full Array TruLED 3D Bundle Vizio XVT3D554SV 55″ Full Array TruLED 3D HDTV and Vizio VSB200 HD Sound Bar Bundle… |
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Vizio XVT3D554SV 55 1080p 480Hz 3D LED HD Bundle Vizio XVT3D554SV 55″ 1080p 480Hz 3D LED HDTV and Vizio VBR133 3D Blu-ray Disc Player Bundle… |
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Cheetah Mounts APTMM2B Flat Screen TV Wall Mount Bracket for 32-65-Inch Plasma LED LCD TV $26.95 The APTMM2 flat tilt mount features a slim 1.4″ profile from the wall to the back of your display. Additionally it has 0-15 degrees of tilt. The APTMM2 mount is constructed with 4LBS of 100% High Grade Steel providing a sturdy and reliable mount. The APTMM2′s solid wall plate allows for quick and easy installation and will support a wide variety of stud applications up to 26″ apart. The APTMM2 mo… |
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AmazonBasics Digital Optical Audio Toslink Cable, 6 Feet $5.49 … |
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VideoSecu Tilt TV Wall Mount for Most 32-65 LCD LED Plasma TV Flat Screen, Sturdy Steel Wall Plate Free HDMI Cable and 6 Bubble Level M43 $29.99 The VideoSecu MP501B is compatible with LED, LCD, and Plasma TVs and other flat panel display between 32 and 65 inches weigh less than 165lbs. Supports all VESA mounting standards up to 710x450mm and many odd size mounting patterns (mounting holes on the rear of the TV or panel should be no more than 28″ apart horizontally and up to 17.7″ vertically). Over 12 lbs solid heavy-gauge steel constructi… |
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Adjustable Tilt of -5 deg/+15 deg. Wall Mount for VIZIO VO42LF LCD Flat Panel Display $249.99 This Universal 37″ to 55″ tilt mount allows for the use of security hardware, and provide simplicity of installation combined with enough tilt capability to optimize viewing for any flat panel display. It allows the mounting of plasma displays of up to 55″ in size and 165 lbs in weight, while introducing several key features that take the Universal 37″ to 55″ a significant step forward in plasma p… |
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12ft Ac Power Cord Cable Plug for Samsung Toshiba Lg Sharp Sony Scepter RCA Panasonic Philips Vizio Mitsubishi Proscan Magnavox Auria Viore Tv LCD Dlp Led , Acer Asus Hp Samsung Viewsonic Dell Compaq Hanns-g Lg Planar Monitor Screen , Ps3 , Xbox 360 $0.01 Will fit all TV’s, Monitor’s and other devices requiring ac cords with similar plug. This product is not compatible with Plasma TV’s…. |
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New 3 Prong 12Ft Ac Power Cord Cable Plug $1.16 New 3 Prong 12Ft Ac Power Cord Cable Plug for Samsung Toshiba LG Sharp Sony Sceptre RCA Panasonic Philips Mitsubishi Magnavox TV LCD Plasma DLP, Acer Asus HP Samsung ViewSonic Dell Compaq Hanns-G LG Planar Monitor , Screen , PS3 , XBOX 360 (Extra Long 12ft) / / / / / Will fit TVs Monitors Game consoles and other appliances with similar plug…. |
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Vizio 42-inch 1080p LCD HDTV – E422VL $409.99 The VIZIO 42″ LCD 1080p 120Hz HDTV, E422VL with VIZIO Internet Apps puts the best of the web right on your TV screen. With built-in Wi-Fi (802.11n) for easy set-up, this HDTV also boasts 1080p Full HD and 120Hz refresh rate to deliver superior picture and audio quality at an amazing value, all while exceeding ENERGY STAR 5.3 Guidelines to reduce energy consumption. |
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Vizio 42-inch 1080p 120Hz 3D LCD HDTV – E3D420VX $499.99 Bring that intense 3D movie experience home with VIZIO’s 42″ Theater 3D LCD HDTV with VIZIO Internet Apps. You’ll enjoy the same crystal-clear, flicker-free 3D you get in the theater with similar lightweight glasses that are comfortable and significantly more affordable than heavier 3D glasses that need batteries or recharging. |
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VIZIO 32-Inch 720p LCD HDTV – E321VL $199.99 Vizio LCD HDTV features full 720p high-definition resolution with RazorLED backlighting for brilliant color and contrast in a razor thin design that’s less than 1.62″ thin. This sleek HDTV delivers superior audio using SRS TruVolume and SRS TruSurround HD audio for advanced virtual surround sound, and has 2 HDMI ports to connect up to 2 HDMI devices to your HDTV. |
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Vizio 37-Inch 1080p LCD TV – E371VL $307.99 VIZIO’s 37-inch E371VL delivers 1080p Full HD picture quality, solid audio performance, and plenty of value. This flatscreen LCD HDTV features SRS audio technologies for virtual surround sound, a 100,000:1 Dynamic Contrast Ratio for deeper blacks and brighter whites, and two HDMI ports for connecting your HD sources. This display also exceeds ENERGY STAR 4.1 guidelines, and utilizes built-in ambient light sensing technology to adjust backlight levels according to the ambient lighting conditions. |
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VIZIO 32-inch 3D LCD HDTV – E3D320VX $379.99 Bring that intense 3D movie experience home with VIZIOâs 32â Theater 3D-inch LCD HDTV with VIZIO Internet Apps. Youâll enjoy the same crystal-clear, flicker-free 3D you get in the theater with similar lightweight glasses that are comfortable and significantly more affordable than heavier 3D glasses that need batteries or recharging. 2D content is stunning as well. |
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VIZIO 32-Inch LED LCD HDTV Black – E320VP $279.99 The VIZIO E320VP 32″ Class (31.51 inch diagonal) edge lit RazorLED LCD HDTV is brilliant in color, rich in detail and deep in contrast – all in a razor thin design that is less than 1.34″ in profile. This immaculate beauty offers razor sharp clarity and delivers a 100,000:1 dynamic contrast ratio for deeper blacks and brighter whites. Owners also enjoy ultimate connectivity with two high HDMI inputs. |
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Vizio 42-inch LED LCD HDTV 1080p – M420SV $526.99 Inch by spectacular inch, the 42″ Edge Lit Razor LED LCD HDTV with VIZIO Internet Apps delivers the ultimate Full HD experience and premium online entertainment in a razor-thin design. 1080p Full HD and 200,000 to 1 Dynamic Contrast Ratio render every image with amazing clarity, color and contrast, while its 120Hz refresh rate supplies smooth, super-sharp viewing for fast-action sports and movies |
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VIZIO E470VL 47-Inch 120 Hz 1080p LCD HDTV Black $559.99 VIZIO’s E470VL 47-Inch LCD HDTV delivers full 1080p HD picture quality and superior audio quality at an amazing value. This flat screen LCD HDTV Includes 120Hz refresh rate, SRS TruVolume and SRS TruSurround HD audio for advanced virtual surround sound and three HDMI ports to connect up to three HDMI devices to your TV. Exceeds Energy Star 4.0 guidelines to reduce energy consumption. |
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VIZIO 19-inch Edge Lit Razor LCD HDTV – E190VA $109.99 VIZIO’s 19-inch class (18.5 inches viewable) E190VA features edge-lit LED backlighting, for brilliant color and contrast in an ultra-thin design. Add SRS audio technologies for virtual surround sound, a 20,000:1 Dynamic Contrast Ratio for deeper blacks and brighter whites, two HDMI ports, JPG photo viewing via USB, and an energy-efficient ambient light sensor, and you’ve got a smaller display that’s as smart as it is sleek. |
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Vizio 42-inch 1080p LCD – E420VT $529.99 As impressive as it is thin, the 42″ Edge Lit Razor LED LCD HDTV proves Full HD doesn’t have to carry a premium price tag. 1080p Full HD resolution with Razor LED backlighting provides brilliant color, contrast and clarity, while a striking 100,000 to 1 dynamic contrast ratio supplies truly deep blacks and brighter whites. |
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Vizio 42-inch LED LCD HDTV 1080P – M421NV $429.99 As spectacular as it is thin, the 42″ Class Edge Lit Razor LED LCD HDTV delivers a brilliant, breath-taking picture in a razor thin design. 1080p Full HD gives it vivid color and impressive contrast, while a 120 Hz refresh rate provides smooth, ultra-sharp viewing for fast-action sports or movies. If you’re one to appreciate real depth in color, you’ll also enjoy its striking 100,000:1 dynamic contrast ratio that produces truly deep blacks and brighter whites. |
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VIZIO E320VA 32-Inch 720p LCD HDTV $225.99 VIZIOâs E320VA 32-Inch LCD HDTV delivers superior picture and audio quality at an amazing value. Includes SRS TruVolume and SRS TruSurround HD audio for advanced virtual surround sound and four HDMI ports to connect up to four HDMI devices to your TV. Exceeds Energy Star 4.0 guidelines to reduce energy consumption. |
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Vizio 26-Inch 1080p LCD TV – E260MV $199.99 The E260MV 26″ Class (26 inch diagonal) Edge Lit Razor LED LCD HDTV is brilliant in color, rich in detail and deep in contrast â all in a razor thin design that is 1â in profile. This immaculate beauty offers full 1080p high definition resolution for crystal clear images and razor sharp clarity and delivers a 20,000:1 dynamic contrast ratio for deeper blacks and brighter whites. This RazorLED LCD HDTV also includes touch sensitive controls that illuminate when your hand draws near and fade away once youâre done. |
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Vizio 47-inch LCD HDTV 1080p – E470VLE $489.99 High definition entertainment has never been so amazing – or affordable. The 47″ class LCD HDTV delivers 1080p Full HD for incredible color and contrast, and striking 100,000:1 dynamic contrast ratio for truly deep blacks and brighter whites. |
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Sauder Rose Valley TV Stand for Flat-Panel or Tube TVs Up to 35 $189.99 This posh TV stand is designed to hold flat-panel or tube televisions up to 35″ or weighing 95 lbs. A framed door with tempered-glass covers opens to reveal an adjustable shelf for added storage. |
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KCPI Digital TV Converter Box $59.99 This digital TV converter box converts digital TV broadcast signals to analog broadcast signals and is compatible with most analog televisions and recording devices. The converter box works with Smart Technology antennas for wide-ranging compatibility. |
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Madeline: The Star - $9.99 This video contains two episodes of the children’s televisions series Madeline. The episodes are titled Madeline in Hollywood, in which everyone’s favorite redhead gets to be in a movie; and Madeline and the Soccer Star, where Madeline’s cousin helps the girls win a soccer match and tends to their sickly garden. ~ Perry Seibert, Rovi |
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LCD/Plasma Ultimate HD Experience: Africa – Widescreen $14.99 Designed to showcase plasma and LCD televisions, this documentary offers striking images of the natural beauty and wonder that can be found on the continent of Africa. In addition to capturing the physical beauty of the continent, the filmmakers include images of the wildlife that call Africa home. ~ Perry Seibert, Rovi |
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TRENDnet Wireless-N Gaming Adapter with 4-Port Gigabit Ethernet Switch $109.99 Connect network-ready gaming consoles, televisions and DVRs to the Internet with this gaming adapter that features MIMO antenna technology for up to 450 Mbps data transfer and WMM QoS technology to prioritize gaming, Internet calls and video streams. View a product demo. |
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Mitsubishi XpanD 3DG-X103 3D Active Shutter Glasses $99.99 The leader in 3D cinema glasses now matches up seamlessly with the leader in the biggest 3D home cinema. XpanD has designed 3D glasses to complete the largest 3D home experience with Mitsubishi televisions. 3DG-X103 can be added as desired to expand the home theater for more viewers. Get immersed in the world of 3D entertainment with Mitsubishi. |
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NHL: Philadelphia Flyers Greatest Games Set - $44.99 Stand up and cheer for the Philadelphia Flyers wherever and whenever you please with this collection of ten classic games from the 1974 Stanley Cup Finals to the 2004 Eastern Conference Finals. Each game is presented in its original broadcast format, offering fans the opportunity to experience twenty years of thrills just as they played out on televisions across the nation. ~ Jason Buchanan, Rovi |
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Mitsubishi 3DGEX103 3D Glasses with Emitter $129.99 The leader in 3D cinema glasses now matches up seamlessly with the leader in the biggest 3D home cinema. XpanD has designed 3D glasses to complete the largest 3D home experience with Mitsubishi televisions. Start the 3D home theater off with the 3DG-EX103: it includes one pair of 3D glasses and an emitter. Additional 3D glasses (3DG-EX 103) can be added as desired to expand the home theater for more viewers. Get immersed in the world of 3D entertainment with Mitsubishi. |
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The War Boys - $8.99 Three childhood friends who once made a game out of chasing illegal immigrants back across the border discover they’re no more impervious to tragedy than the people they tormented when a quick moneymaking scheme turns suddenly treacherous. Back in high school, Greg, David, and George used to stake out the U.S.\Mexico border, harassing desperate immigrants as they attempted to pass through. When David departed for college the group was split up. But now David’s returned, and he’s got a plan to heist a truckload of stolen televisions from his father, the owner of a trucking company that dabbles in black market luxuries. If they can turn the televisions around fast, reasons David, they can move to New York City and start a new life. As the plan gets underway the three friends begin to mature, and find their loyalties shifting while becoming more sympathetic to the plight of illegal immigrants. When the cargo of the truck proves to be something far more malevolent than television, the three friends realize that they may have finally gotten themselves into a jam they can’t walk away from. ~ Jason Buchanan, Rovi |
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Wastrels and Whippersnappers $19.99 Track Listing: 1. (Intro) Sweet and Sour Part 2, 2. Dresden Style, 3. Pets’ Corner, 4. Shubunkin, 5. Sahara, 6. Full Moon-Blam-Full Moon, 7. Instronaut, 8. Televisions, 9. Wireless, 10. Harmony in Your Bathroom, 11. Camoflage Attack, 12. Gramofonica, 13. Harvist, 14. Johnny Seven, 15. Sweet and Sour (Parts 2, 3 & 4): Sweet and Sour part 2 / Sweet and Sour part 3 / Sweet and Sour part 4 , 16. Sheep Police / Septipede , 17. Improv Number One, 18. Platinum Blind, 19. God Save the Queen, 20. Ratbag and Goblin (‘Batman’ Theme), 21. Vertical Slumber (Prototype Take 1), 22. Below Number One, 23. Organism |
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Demons 2 – Widescreen $12.99 A high-end apartment complex is the setting for demonic disaster in this like-minded splatter sequel to the 1986 cult hit Demons. A spoiled young woman named Sally (Coralina Cataldi Tassoni) is hosting her own birthday party in her apartment. Other characters in the building include a man (David Knight) and his pregnant wife (Nancy Brilli), a little boy who is alone for the evening, and a gym full of workout maniacs. In each apartment, televisions are all tuned to a horror film in which a group of young people find evidence of demons which precedes their becoming possessed. Upset that an ex-boyfriend is coming to her party, Sally goes into her room and turns on the film. A demon bursts through her television. Moments later, the possessed Sally enters the party and slaughters all of her guests, turning them into demons. The possession spreads throughout the building as tenant after tenant is transformed, leading to a furious battle between the exercise fanatics and a pack of demons. The young husband manages to stay alive and makes a desperate attempt to save his wife — who is being tormented by the now-possessed little boy. He rescues her after the demon child gives “birth” to a Gremlins-style demon and the couple make a dangerous attempt to rappel down the outside of the tower with the raving, drooling Sally in hot pursuit. ~ Patrick Legare, Rovi |
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Videodrome – Widescreen Special $34.99 Hardcore pornography, sadomasochism, mind control, and living televisions all play crucial roles in Videodrome, one of director David Cronenberg’s explorations of dangerous sexuality and technological obsession. The morally questionable hero of the tale is one Max Renn (James Woods), a television executive searching for an intense new program for his sex-oriented network. He ultimately discovers an underground program called “Videodrome,” which appears to broadcast pornographic snuff films of actual murders. Horrified but perversely intrigued, Renn sets out to find the truth behind the program. During his search, he meets alluring femme fatale Nicki (Blondie lead singer Debbie Harry), technology cult leader Bianca O’Blivion, and other mysterious figures. Things become even more disturbing for Renn as his addiction grows, and the program begins to infect the outside world — or perhaps merely destroy own his sanity. Cronenberg mingles his cerebral concerns about the nature of reality in the video age with enough visceral gore (courtesy of Rick Baker) to satisfy the film’s intended horror audience. ~ Judd Blaise, Rovi |
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Videodrome – Widescreen $8.99 Hardcore pornography, sadomasochism, mind control, and living televisions all play crucial roles in Videodrome, one of director David Cronenberg’s explorations of dangerous sexuality and technological obsession. The morally questionable hero of the tale is one Max Renn (James Woods), a television executive searching for an intense new program for his sex-oriented network. He ultimately discovers an underground program called “Videodrome,” which appears to broadcast pornographic snuff films of actual murders. Horrified but perversely intrigued, Renn sets out to find the truth behind the program. During his search, he meets alluring femme fatale Nicki (Blondie lead singer Debbie Harry), technology cult leader Bianca O’Blivion, and other mysterious figures. Things become even more disturbing for Renn as his addiction grows, and the program begins to infect the outside world — or perhaps merely destroy own his sanity. Cronenberg mingles his cerebral concerns about the nature of reality in the video age with enough visceral gore (courtesy of Rick Baker) to satisfy the film’s intended horror audience. ~ Judd Blaise, Rovi |
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Breaking In – Widescreen Dubbed Subtitle Dolby $8.99 In this comedy (which claims a strong pedigree — it was written by John Sayles and directed by Bill Forsyth), Burt Reynolds plays Ernie, an aging career burglar who knows just about everything there is to know about breaking and entering. One night, Ernie has stealthily slipped into a home only to discover someone else is already there — Mike (Casey Siemaszko), a guy in his early 20′s who likes to sneak into other people’s houses so he can raid their refrigerators and watch their televisions. Ernie is taken aback by Mike’s recklessness, but is impressed by his skills; he’s convinced the kids has the makings of a first-class thief, and offers to make him his protege. Mike agrees, and soon the two are working together, with Ernie trying to explain the importance of playing it as safe as possible while Casey follows every youthful impulse to make some fast money and throw it away just as quickly. Breaking In marked a change-of-pace role for Burt Reynolds, in which he acknowledged his age and played a character role instead of an action hero; the results garnered him some of the best notices of his career. ~ Mark Deming, Rovi |
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Americathon – Widescreen $24.99 In the future (the distant year of 1997), the United States of America is in crisis. The oil shortage has grown to epic proportions, leading to people living in their cars and bicycling to work. Cigarettes and meat have been outlawed, gold coins are needed to operate common household appliances, and the Western White House (located in a luxury apartment in California) has been forced by economic necessity to operate round-the-clock tours for vacationing Chinese citizens. The economy is deep trouble; President Chet Roosevelt (John Ritter) has borrowed four billion dollars from Native American tennis shoe manufacturer Sam Birdwater (Chief Dan George), and he’s foreclosing on the loan. When a media expert, Eric McMerkhin (Peter Riegert), is summoned for advice (since despite all hardships, Americans refuse to give up their televisions), he suggests a telethon. It’s a great idea, except the President’s assistant Vincent Vanderhoff (Fred Willard) is in cahoots with the United Heb-Rab Republic, a sinister coalition of Israeli and Arab nationals who want to snap up America if the debt can’t be paid. He ensures that the show is stocked with endless ventriloquists and insists on Monty Rushmore (Harvey Korman), a washed-up, drug-addicted television personality as host. The star of the popular sitcom “Both Mother and Father,” he is sure to self-destruct over the grueling 30-day-and-night telethon schedule. Despite terrorist attacks and the kidnapping of President Roosevelt, the patriotic spirit prevails and American citizens dig deep and pledge their gold to the cause. This outrageous farce (based on a play by Firesign Theatre alumni Philip Proctor and Peter Bergman) features cameos from Elvis Costello, Jay Leno, Meat Loaf and the Del Rubio Triplets, and is narrated by George Carlin. The Beach Boys, Eddie Money, and Nick Lowe contribute to the musical soundtrack. ~ Fred Beldin, Rovi |
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White Noise – Widescreen Dubbed Subtitle AC3 $9.99 Divorced architect Jonathan Rivers (Michael Keaton) seems to lead a pretty good life with partial custody of his young son and a happy second marriage to Anna (Chandra West), a best-selling author. Things take an ugly turn when Anna disappears during a thunderstorm, apparently the victim of a freak accident. Eventually, her body is found, and Jonathan sinks into despair. Then he meets Raymond (Ian McNeice), who claims that Anna has contacted him through EVP, or electronic voice phenomena. Raymond explains that the dead can communicate from beyond via static on common electronic equipment like radios and televisions. Jonathan is skeptical until he starts getting phone calls from Anna’s inactive cell phone. He visits Raymond, whose home is filled with audio and video monitors and high-tech recording equipment. There he meets Sarah (Deborah Kara Unger), who has recently received a farewell message from her late fianc?. Jonathan eventually receives what appears to be a communication from Anna, but soon afterward, Raymond turns up dead. Obsessed with maintaining contact with his late wife, Jonathan visits a psychic (Connor Tracy) who warns him that he’s going down a dangerous path, “meddling” in the affairs of the dead. Undaunted, Jonathan continues to study EVP and eventually finds that he’s getting messages from people who haven’t died…yet. White Noise was directed by Geoffrey Sax from an original script by Niall Johnson. ~ Josh Ralske, Rovi |
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Slumdog Millionaire – Widescreen Dubbed Subtitle AC3 $14.99 Accused of cheating and desperate to prove his innocence, an eighteen-year-old orphan from the slums of Mumbai reflects back on his tumultuous life while competing to win 20 million rupees on India’s Who Wants to Be a Millionaire in Danny Boyle’s inspirational drama. Jamal Malik (Dev Patel) may not have a penny to his name, but that could all change in a matter of hours. He’s one question away from taking the top prize on India’s most popular television game show, but as with everything else in Jamal’s life, it isn’t going to be easy. Arrested by police under suspicion of cheating, Jamal is interrogated by the authorities. The police simply can’t believe that a common “slumdog” could possibly possess the knowledge to get this far in the game, and in order to convince them of how he gained such knowledge, Jamal begins reflecting back on his childhood. As young boys, Jamal and his older brother, Salim, lived in squalor, and lost their mother in a mob attack on Muslims. Subsequently forced to rely on their own wits to survive, the desperate siblings fell back on petty crime, eventually befriending adorable yet feisty young Latika as they sought out food and shelter on the unforgiving streets of Mumbai. Though life on the streets was never easy, Jamal’s experiences ultimately instilled in him the knowledge he needed to answer the tough questions posed to him on Who Wants to Be a Millionaire. And though Jamal makes a convincing case for himself, one question still remains: why would a young man with no apparent desire for wealth or fame be so determined to win big on a national game show? Of course, it won’t be long until everyone finds out the answer to this burning question, because as Jamal sits down to find out whether he will be rich beyond his wildest dreams, 60 million viewers remain transfixed to their televisions eager to see if he’ll correctly answer the final question. ~ Jason Buchanan, Rovi |
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SOCOM 4: US Navy SEALs – PlayStation 3 $29.99 SynopsisYou’ve been recruited to fight in one of the most elite sections of the United States military the U.S. Navy SEALs. Undertaking dangerous missions across the globe and protecting the interests of the free world is your job, but you’ve never experienced a struggle as urgent or as trying as this one. The world teeters on the edge of conflict, and a brutal revolution that has thrown Southeast Asia into total chaos threatens to ignite an all-out global war. Six days is all it will take for the situation to escalate into worldwide devastation. The fate of the planet rests in your hands as Operations Commander, you must plunge into the turmoil and seize control for the sake of humanity. Will you rise up and answer this challenge? Will you prove your rank in SOCOM? SOCOM 4: U.S. Navy SEALs drops you into the heart of the global crisis as the commander of an elite NATO squad charged with rescuing an entire country from destruction and the world from total war. Hit the ground and dominate the battlefield with intuitive squad tactics to flank and outmaneuver your enemy. You have complete control of every shot and melee fight when you immerse yourself in combat using PlayStation Move technology. Compatible with the PlayStation Move Sharp Shooter peripheral and 3D-enabled televisions, SOCOM immerses you in a realistic shooter experience with a completely authentic look and feel. The massive action is real when you take the battle online and experience intense 32-person multiplayer combat or enlist up to four friends to join your squad in co-op mode. You may be under fire, but you have to keep your cool in this crucial mission. |
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SOCOM 4: US Navy SEALs PRE-OWNED – PlayStation 3 $24.99 SynopsisYou’ve been recruited to fight in one of the most elite sections of the United States military the U.S. Navy SEALs. Undertaking dangerous missions across the globe and protecting the interests of the free world is your job, but you’ve never experienced a struggle as urgent or as trying as this one. The world teeters on the edge of conflict, and a brutal revolution that has thrown Southeast Asia into total chaos threatens to ignite an all-out global war. Six days is all it will take for the situation to escalate into worldwide devastation. The fate of the planet rests in your hands as Operations Commander, you must plunge into the turmoil and seize control for the sake of humanity. Will you rise up and answer this challenge? Will you prove your rank in SOCOM? SOCOM 4: U.S. Navy SEALs drops you into the heart of the global crisis as the commander of an elite NATO squad charged with rescuing an entire country from destruction and the world from total war. Hit the ground and dominate the battlefield with intuitive squad tactics to flank and outmaneuver your enemy. You have complete control of every shot and melee fight when you immerse yourself in combat using PlayStation Move technology. Compatible with the PlayStation Move Sharp Shooter peripheral and 3D-enabled televisions, SOCOM immerses you in a realistic shooter experience with a completely authentic look and feel. The massive action is real when you take the battle online and experience intense 32-person multiplayer combat or enlist up to four friends to join your squad in co-op mode. You may be under fire, but you have to keep your cool in this crucial mission. |
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Gator/Breaking In/Fuzz [2 Discs] - $5.99 Includes:Fuzz (1972), MPAA Rating: PG Gator (1976), MPAA Rating: PG Breaking In (1989), MPAA Rating: R Fuzz Fuzz treads the line between raucous comedy and gut-churning melodrama. Based on an “87th Precinct” novel by Ed McBain (aka Evan Hunter), the film stars Burt Reynolds and Jack Weston as, respectively, detectives Steve Carella and Meyer Meyer. Their current assignment is to bring in Deaf Man (Yul Brynner), a mad bomber who has been targeting politicians. A subplot concerning a couple of punks who get their kicks by setting fire to sleeping winos is dramatically justified by the main storyline, but it was this element that caused a lot of trouble for the producers of Fuzz when a pair of real-life teenagers decided to imitate the film. On a lighter note, Raquel Welch co-stars as Detective Eileen McHenry, who is obliged to go undercover — and under covers — with fellow officer Bert Kling (Tom Skerritt). And as a bonus, viewers are treated to Burt Reynolds’ first “drag” scene. ~ Hal Erickson, Rovi Gator Having created the character of Gator McKlusky in 1973′s White Lightning, Burt Reynolds reprises the role in the appropriately titled Gator. Once again, ex-convict McKluskey is strong-armed into helping the feds nab a dangerous criminal, who turns out to be an old high-school chum (Jerry Reed). He is aided and abetted by TV reporter Aggie Maybank (Lauren Hutton) and comedy-relief FBI agent Irving Greenfield (Jack Weston). Talk-show host Mike Douglas makes his film debut as a Jimmy Carter-style governor. ~ Hal Erickson, Rovi Breaking In In this comedy (which claims a strong pedigree — it was written by John Sayles and directed by Bill Forsyth), Burt Reynolds plays Ernie, an aging career burglar who knows just about everything there is to know about breaking and entering. One night, Ernie has stealthily slipped into a home only to discover someone else is already there — Mike (Casey Siemaszko), a guy in his early 20′s who likes to sneak into other people’s houses so he can raid their refrigerators and watch their televisions. Ernie is taken aback by Mike’s recklessness, but is impressed by his skills; he’s convinced the kids has the makings of a first-class thief, and offers to make him his protege. Mike agrees, and soon the two are working together, with Ernie trying to explain the importance of playing it as safe as possible while Casey follows every youthful impulse to make some fast money and throw it away just as quickly. Breaking In marked a change-of-pace role for Burt Reynolds, in which he acknowledged his age and played a character role instead of an action hero; the results garnered him some of the best notices of his career. ~ Mark Deming, Rovi |
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Paranormal State: The Complete Season Two [2 Discs] - $19.99 Includes:Paranormal State: The Ladder (2008) Paranormal State: Hell’s Gate (2008) Paranormal State: Haunted Ranch (2008) Paranormal State: Smoke and Shadows (2008) Paranormal State: Family Ties (2008) Paranormal State: The Messenger (2008) Paranormal State: I Am Six (2008) Paranormal State: First Contact (2008) Paranormal State: The Fire (2008) Paranormal State: Good Vs. Evil (2008) Paranormal State: Hide and Seek (2008) Paranormal State: The Glove (2008) Paranormal State: The Ladder A family in Shrewsbury, Mass., claims to have been living with a spirit for 40 years, and all but one family member believe the spirit is malicious. ~ Bill Ecklund, Rovi Paranormal State: Hell’s Gate A amily claim that a dark presence haunts their home in York, Pa., and the team thinks an exorcism is required. ~ Bill Ecklund, Rovi Paranormal State: Haunted Ranch A supposedly haunted ranch in Hunt, Texas, is investigated. Reports include the appearance of black shadows and a crop circle. ~ Bill Ecklund, Rovi Paranormal State: Smoke and Shadows A woman claims that her home in Maryland has been haunted ever since the arrival of her new roommate. ~ Bill Ecklund, Rovi Paranormal State: Family Ties A Virginia man is supposedly haunted by the ghost of an old woman. ~ Bill Ecklund, Rovi Paranormal State: The Messenger A family claim that their new home is haunted by a headless apparition. ~ Bill Ecklund, Rovi Paranormal State: I Am Six The team travels to Quincy, Ill., to visit a 26-year-old woman who says she’s being harmed physically by a malevolent spirit, and she provides photographs to back up her claims. ~ Bill Ecklund, Rovi Paranormal State: First Contact A variety of phenomena is explored during a trip to a ranch in Trout Lake, Wash. ~ Bill Ecklund, Rovi Paranormal State: The Fire Supposed paranormal activity associated with the murder of loved ones near Columbus, Ohio, is investigated. ~ Bill Ecklund, Rovi Paranormal State: Good Vs. Evil The team investigates supposed activity at a home, including the mysterious destruction of religious objects; televisions, lights and fans going off and on; and the unexplained appearance of dead animals near the home. ~ Bill Ecklund, Rovi Paranormal State: Hide and Seek A woman and her son claim that their home in Newburgh, Ind., is haunted by a malevolent presence. ~ Bill Ecklund, Rovi Paranormal State: The Glove A trip to Daisytown, Pa., where a supposed haunting is reported. ~ Bill Ecklund, Rovi |
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The Who: At Kilburn 1977 – Widescreen Dolby $19.99 In 1977, while Jeff Stein was compiling The Kids Are Alright, his excellent documentary on legendary British rockers the Who, the filmmaker felt he lacked strong film footage of several classic Who tunes and wanted performances that would bring the picture up to date. With this in mind, Stein arranged for the Who to play a show to be filmed for the movie, and six 35mm film cameras were on hand when the band took the stage at the State Kilburn Theatre on December 15, 1977. However, Pete Townshend was openly disappointed with the Who’s show that day (even saying on camera “This wasn’t f–king worth filming, Stein — might as well send the cameramen home” midway through their set), and they shot another concert several months later that was used in the movie. However, more than three decades later the Kilburn State Theatre set has finally been made available on the DVD release The Who at Kilburn 1977. Compared to the Who’s best work on film, The Who at Kilburn 1977 does capture the band on a relative off night — Keith Moon is clearly out of shape and has trouble keeping up with the band, while John Entwistle and Roger Daltrey appear to be a bit out of practice — but Townshend is on fire throughout the show, and this footage confirms that the Who were a powerfully exciting act even when they weren’t delivering one hundred percent. The Who at Kilburn 1977 has been given a widescreen transfer to disc, letterboxed at the 1.78:1 aspect ratio on conventional televisions and enhanced for anamorphic play on 16×9 monitors. The original film elements are practically spotless and the depth and clarity of the 35mm film image is truly impressive, as is the vivid but realistic color balance. The audio (which was recorded using a 16-track mobile truck) has been mastered in three formats, Dolby Digital Stereo, Dolby Digital 5.1 Surround, and DTS 5.1 Surround. The stereo mix sounds tighter and more powerful than the 5.1 version, but either way the results are impressive and capture the force of the Who on stage with admirable accuracy. The performances are in English, with no subtitles or multiple language options. As a bonus, this package comes with a second disc featuring another show from the Who’s archives — a December 1969 performance at the London Coliseum Theater in which the band performed the recently-released rock opera Tommy in full along with a set of their bet known tunes. The 1969 show was filmed in 16mm by a small crew who didn’t use any additional lighting; consequently, the image is often dark and grainy and at times the band is all but invisible, while the print is in rough shape and there are bits where the editors have to make do with “stylized” substitute footage when both cameramen ran out of film. But the Who are in excellent form in this bonus gig, and while the audio is sometimes boomy and distorted, it inarguably captures a more interesting concert than the one on disc one. (It’s also presented in widescreen, with both stereo and surroun |
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The Who: At Kilburn 1977 – Widescreen Dts $24.99 In 1977, while Jeff Stein was compiling The Kids Are Alright, his excellent documentary on legendary British rockers the Who, the filmmaker felt he lacked strong film footage of several classic Who tunes and wanted performances that would bring the picture up to date. With this in mind, Stein arranged for the Who to play a show to be filmed for the movie, and six 35mm film cameras were on hand when the band took the stage at the State Kilburn Theatre on December 15, 1977. However, Pete Townshend was openly disappointed with the Who’s show that day (even saying on camera “This wasn’t f–king worth filming, Stein — might as well send the cameramen home” midway through their set), and they shot another concert several months later that was used in the movie. However, more than three decades later the Kilburn State Theatre set has finally been made available on the DVD release The Who at Kilburn 1977. Compared to the Who’s best work on film, The Who at Kilburn 1977 does capture the band on a relative off night — Keith Moon is clearly out of shape and has trouble keeping up with the band, while John Entwistle and Roger Daltrey appear to be a bit out of practice — but Townshend is on fire throughout the show, and this footage confirms that the Who were a powerfully exciting act even when they weren’t delivering one hundred percent. The Who at Kilburn 1977 has been given a widescreen transfer to disc, letterboxed at the 1.78:1 aspect ratio on conventional televisions and enhanced for anamorphic play on 16×9 monitors. The original film elements are practically spotless and the depth and clarity of the 35mm film image is truly impressive, as is the vivid but realistic color balance. The audio (which was recorded using a 16-track mobile truck) has been mastered in three formats, Dolby Digital Stereo, Dolby Digital 5.1 Surround, and DTS 5.1 Surround. The stereo mix sounds tighter and more powerful than the 5.1 version, but either way the results are impressive and capture the force of the Who on stage with admirable accuracy. The performances are in English, with no subtitles or multiple language options. As a bonus, this package comes with a second disc featuring another show from the Who’s archives — a December 1969 performance at the London Coliseum Theater in which the band performed the recently-released rock opera Tommy in full along with a set of their bet known tunes. The 1969 show was filmed in 16mm by a small crew who didn’t use any additional lighting; consequently, the image is often dark and grainy and at times the band is all but invisible, while the print is in rough shape and there are bits where the editors have to make do with “stylized” substitute footage when both cameramen ran out of film. But the Who are in excellent form in this bonus gig, and while the audio is sometimes boomy and distorted, it inarguably captures a more interesting concert than the one on disc one. (It’s also presented in widescreen, with both stereo and surroun |
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